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Anon at the BBC

If you’ve been listening to Radio 3’s Composer of the Week – The Birth of Polyphony – you may be interested to know who was doing the singing (Donald Macleod being rather reluctant to identify who’s who). In the second programme I sang for the best part of an hour without once being credited. The opening piece, Leonin’s Goria Redemptori meo (around six minutes) was me and Rogers Covey-Crump, in case you were wondering, and it’s from a live concert recording at one of our Hilliard Cambridge Summer Schools.  The programme featured Perotin’s two big four voice pieces Viderunt and Sederunt at the other end of the programme, and in between a huge hunk of Leonin sung by Richard Wistreich and me (from what we think of as our Hyperion Lenin phase). The third programme began with the anonymous Fas et Nefas conductus, sang anonymously by yours truly with Rogers Covey-Crump and Christopher O’Gorman (also available on Hyperion). Well, I guess it’s good for us egomaniacs.

I’ll be listening in to the interval chat during Sunday’s prom. At least we all get a credit in the blurb:

8.10pm INTERVAL: Throwing a Wobbly
Louise Fryer uncovers the ups and downs of vocal vibrato. How and why do singers use it? With guests sopranos Janis Kelly and Peyee Chen, tenor John Potter, scientist Helena Daffern and early music researcher Richard Bethell. 

While I’m on the subject of the BBC…the Dowland Project gets an honorary mention in Andrea Valentino’s piece for BBC Global News. Along with Sting of course, and Ed Sheeran (the Dowland de nos jours). Thanks to Jake Heringman for sending the link.

FEMAP

 

A huge thankyou to Josep Maria Dutrèn and the FEMAP team. Ariel and I had a fabulous time in Catalunya – and special thanks to those who followed us all the way up the mountain.

 

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