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ALTERNATIVE HISTORY

Alternative History has a number  of things in common with the Dowland Project, the most obvious of which is that we didn’t settle on a name until after the first release (2nd, in the case of AH).  The name business is a really tedious question to wrestle with (we just want to get on with the music) but it’s obviously important for concert promoters and agents. My own only slightly egotistical take on this is that we’re all already known to most of our likely audience, and a new name would mean starting from scratch. We managed to release Amores Pasados under our own individual names, but this led to endless confusion about the name of the album vs the name of the ensemble, a problem which got even worse when Secret History came along. I very much wanted this to have everyone’s name on the front – like everything we do it’s a totally collaborative effort. But having tried several drafts, ECM just couldn’t fit us all on. The result, ironically, is just my name in massive letters. I love the ECM design criteria and I absolutely understand the aesthetic, but it doesn’t always work in favour of the musicians and can have unintended consequences. The Guardian online review has our  great Guy Carpenter puddle pic (above) but talks of Potter going solo, which is to completely misunderstand the nature of our work (mind you, one of the German papers talks of ‘the Potter phenomenon’, which no one’s ever called me before). Anyway, the important thing is that the album is out there, and we’ll be featuring a Josquin & Victoria programme alongside Amores Pasados. In the duo programmes with Jake and Ariel we’ll also be doing some Josquin alongside Banks and Sting, and Jake and Ariel will be including duets from the album in their duo programmes. We also have a brilliant Alternative History pdf which we’ll be sending to promoters. I’ll  put up an update with press comments etc later this month, and when I have a bit of time (unlikely this month) I’ll do a dedicated Alternative History page. There’s a bit of video and an extract from the Victoria Benedictus on the ECM Facebook site here.

 

 

There hasn’t  yet been a Gramophone review of Secret History but the September issue has a retrospective of all the Les Noces CDs, of which the 1990 Hyperion recording I did with James Wood comes out top of the pile. We’re in some very distinguished company, so it’s quite an achievement. It was a wonderful Anglo-Russian collaboration,  myself and Jane Ginsborg with the formidable Elena Medvedovskaya and Alexander Nazarov (who were very tactful about our pronunciation). I think it’s the only time I’ve recorded in Russian (the Hilliards didn’t record the early Part pieces, though Alternative History has plans…).

This is the diary for September:

8            Conductus   Romaldkirk

15           Serikon         Uppsala (Luther conference)

18           Benslow        Book of Lost Lute Songs (with Jacob Heringman)

18-21     Benslow voice & lute course with Jacob Heringman

27           Serikon/Cecilia Frode      Kristianstad

28           Serikon/Cecilia Frode      Halmstad

29           Serikon/Cecilia Frode      Ystad

30           Serikon/Cecilia Frode      Malmo

To come: Alternative History in Portugal and Poland, Gavin Bryars Nothing Like the Sun in Prague and more Serikon/Cecilia Frode shows in southern Sweden

 

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