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June/July concerts

Just back from another trip to the Trollhättan Festival in Sweden. A drone strike at Frankfurt airport where I had to change planes on the way out caused complete chaos and I ended up running the length of the airport and just made it before they shut the door. Post-Brexit and without freedom of movement I wouldn’t have made it (and doing the gig at all may even have been just too much hassle). I’m sure anyone reading this in the UK will vote Remain on the 23rd…

Tampere Vocal Festival

At the beginning of June I’ve been invited to the 30th Tampere Vocal Festival, where I’ll be saying a few words at the opening of the ensemble contest exhibition. I chaired the jury for more than 20 of those years and it’ll be great to revisit the Manchester of Finland (now famous for skateboarding as well as singing and its Scottish heritage).

Concerts in the UK

Even though Jacob Heringman and I live less than fifty miles from each other we most often meet somewhere on the European mainland at an Alternative History gig (often Spain) to which he has travelled by train and for which I have blown the carbon on a plane. This month we’re being a bit more carbon neutral, beginning with the screening of Mark Burghagen’s Sacred King film for which we provided the music (and subsequently re-used for our own Brexit video). We then have four concerts in the UK: two with the Herschel Trio, one with Pellingman’s Saraband and a lutesong recital of our very own.

The first of these is on June 15th at the  Alwinton Summer Festival when we’ll be joined by Susanna Pell for a mix of old and new music including the winners of the Alwinton Composers’ Competition which we’ll workshop earlier in the afternoon.  Then on the 22nd we’re in Stanhope with the Herschel Trio:

and then on the 23rd we have a concert in York at St Olave’s church:

 

The programmes for these two concerts will feature a unique copy of the Queen Elisabeth Virginal. This exquisite instrument formed part of the collection of Queen Elizabeth I, and its decoration includes both the Royal Coat of Arms, and an image of a Crowned Falcon standing on a tree stump, hence our title.

A couple of weeks later, on July 6th we’ll be appearing in York again, this time in the Late Music series. This will be an all-20th/21st century programme and we’ll be repeating the winning piece from Alwinton as well as Jake’s transcriptions and arrangements of early twentieth songs by Warlock, Vaughan-Williams, Holst and others, together with some of the songs given to us by Tony Banks and Sting.

…and Portugal

On July 21st I’ll be at the Marvao Festival  for a rare foray into Mozart. I’ll be singing the Missa Solemnis K 337 with the Cologne Chamber Orchestra and Juliana Banse conducted by Christoph Poppen (with whom I recorded Hilliard Morimur album many years ago).  The next day David James, Jacob Heringman and I will be doing an extended version of the programme we did in Sheffield cathedral last year, based on Dufay’s L’Homme Arme Mass (at the  Igreja de Santa Maria / Museu Municipal, starting at 4.00.

After that I have a break until the Dobrs Festival in the Czech Republic in August. It’ll be a unique one-off with Milos Valent and Ariel Abramovich. More details in a while.

 

Details of these and other ECM-related concerts can be found on my page on the ECM site.

 

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