I’ve at last done some updates. The site now has new versions of the Programmes, Lute song and Conductus pages, and a new page for Amores Pasados.
3 Medieval Tenors – Conductus
2015 is going to be very busy. We already have dates in Belgium, Germany, Slovenia, Slovakia and Spain as well as the UK. Many of these will have AHRC-funded workshops which are open to all (we can even cope if you don’t read music) so keep an eye on this News page for details as we go through the year. If you were saddened by the retirement of the Hilliard Ensemble, come and hear the Three Medieval Tenors, two of whom spent a great proportion of their careers in the group, and sign up for the workshops which might revolutionise your ideas of how medieval music should go. Our next performance – Conductus: the Forgotten Song of the Middle Ages – is in Bratislava on March 16th, and the third Conductus CD will be released in June.
I’m also very excited about Amores Pasados. The recording back in November was an extraordinarily intense experience for all of us. Our earlier recording (release now postponed till the autumn) wasn’t easy, so we were very surprised at how well things turned out in Oslo. We wanted to show that a song is a song, and that rock musicians such as Sting, John Paul Jones and Tony Banks could write lute songs that would stand comparison with their predecessors Dowland and Campion. We also found ourselves looking at those English composers of the early 20th century who would have written lute songs had there been any lutes or lute players around, and included songs by Warlock and E J Moeran arranged for two lutes. ECM are excited too, and will bring the album out in April (something of a record, I think). There is a clip from the first track on the Amores Pasados page (and the site ident music is also from the album).
The performing year kicks off for me with the Gavin Bryars Ensemble at the Adelaide Festival. We’ll be packing a lot into a very short residency, including Gavin’s great Shakespeare cycle Nothing Like the Sun, as well as his (Blake) Morrison Songbook, Irish Madrigals and Laude (all with Peyee Chen). The last time I was in Australia was with Ambrose Field and Being Dufay, and I hope to be performing Ambrose’ Transmission Cycle (with string quartet) later in the year.