History of Singing paperback
I know we’re not supposed to support Amazon because of the tax business, but I have to congratulate them on the Potter & Sorrell paperback. I always pre-order a copy of my own albums and publications on Amazon as it’s a good way to know if they’re really out. This time my Amazon copy reached me three days before an email from CUP telling me it would be published on February 13th. CUP helpfully included a link to the book’s CUP page but this turns out to be the one for the American hardback copy (125 US dollars, in case you’re interested).
Victoria in Avila
Anna Maria Friman, Ariel Abramovich, Jacob Heringman and I have our first live performance since the ECM recording a while ago, in Victoria’s home town in August. We hope this will really kick start our alternative history of renaissance sacred vocal music as dynamic accompanied song rather than the usual bland a cappella polyphony. We’re negotiating for more concerts in Spain around the same time; more details soon. There’s no news of the recording we did for ECM a couple of years ago yet, sadly.
Dowland Project Night Sessions Press
It’s been good to see the reception for the final Dowland Project album. This ensemble was very much an ECM creation and couldn’t have happened on any other label. When the Night Sessions first came out there was a flurry of (mostly quite perceptive) press on the web but the UK print media were much slower to take it up. I recently caught up with the monthlies and was quite touched by reviewers who really seemed to get it. We have no plans for more albums, and it feels good to complete the set with a radical retrospective. I gather that the University of York Music Department has the DP as one of its Impact case studies to be submitted to the government’s so-called Research Excellence Framework; very gratifying, though somewhat ironic since we’ve never had any truck with ‘Excellence’ as the government understands the term.
International Record Review had it as one of five Outstanding recordings of the month. Ivan Moody even forgave my ‘extra-terrestrial’ Portuguese pronunciation, and I’m deeply flattered by the references to jazz and smokey night clubs.He concludes:
Barry Witherden enjoyed it in BBC Music Magazine too:
Dominic Clements in Music Web International had some reservations, but sort of got it:
You can find additional reviews, mostly online, in my previous post on the subject, and here’s a sample of thoughts from the blogosphere:
Hilliards at 40…
If you scroll down or go to here you can read my blog, written as the mini tour went along. I’ll be doing gigs with the group in Leeds (Howard Assembly Rooms) and Seville Cathedral in April. Details soon.