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Happy Days to Enjoy Jazz

 

Gavin Bryars Ensemble in Enniskillen

Lovely time at the Happy Days Festival in Enniskillen last week. Peyee Chen and I sang the rarely-heard Irish Madrigals – Gavin’s setting of J M Synge’s translations of Petrarch – as a prelude to the legendary Iarla ó Lionáird singing both Gavin’s music and Sean Nos songs. We also got to play in Jesus Blood. This is a bit like suddenly finding yourself on stage with a rock star hero of your youth – something you never imagined could happen. I’m no keyboard player (as generations of students will confirm) but I couldn’t say no to Gavin’s invitation to join in in Vilnius last year. Needless to say, I made sure the volume was turned down so low that no one could hear my potentially performance-wrecking efforts, but this time I was a bit more confident and could actually hear myself. It’s an extraordinary experience – the Vilnius and Enniskillen performances were among the most moving musical experiences I’ve ever had. I’m always banging on about performers not experiencing real emotion on stage – that way madness lies – but with so many and simple repetitions you somehow get hypnotized into the real thing. Then there’s that stunned silence at the end as the audience realises it won’t actually last for ever, as the tramp finally leaves the building accompanied by Tom Waites.

I see the Hilliards are there this week doing their amazing Heiner Goebbels theatre piece – one of the last opportunities to catch this if you haven’t seen it.

Secret History

There’s no sign of a release date from ECM, but we’re very excited about our first live concert at the Victoria festival in Avila on August 29th. The Hilliard Ensemble will be there too as artists in residence, so you’ll be able to compare an ‘a cappella’ way of doing things with our voices + instruments realisations. One obvious difference is that the four of us (Anna Maria Friman, Ariel Abramovich, Jacob Heringman and me) will be doing music in five or six parts.

We’ll also be rehearsing our new pieces by Sting, John Paul Jones and Tony Banks for the recording in Oslo later in the autumn.  Ariel and I hope to do the first performances of the Banks pieces in Portugal in October.

Coaching in Germany

I’m delighted to be coaching again with my old friend Werner Schussler in September at the Sing Akademie Saulheim. Ensembles on the course include the wonderful Nobiles from Leipzig, whom we coached in Engers two years ago.

Lutesongs in Portugal

In October Ariel Abramovich and I will spend some time in Seville recording a video before driving to Almada in Portugal for a recital of lutesongs. This may be an opportunity to try out one or two of the new settings of Campion written for us by Genesis keyboardist Tony Banks.

Potter & Abramovich

Dowland Project in Heidelberg

Shortly after this I’ll be in Heidelberg with the Dowland Project for the Enjoy Jazz Festival. The programme will have music from all our albums including the Night Sessions, and will also be a chance to hear our latest foray into Schubert. We’re not intending to do any more recording, so if you want to hear our latest material you’ll have to come to a gig.

Dowland Project

Hilliard Ensemble & Jan Garbarek

The Hilliards are in Heidelberg with Jan Garbarek the previous week. Strange how we seem to be following each other around in this their final year. They’ve just asked me to join them for the very last concert with Jan in King’s Chapel on December 6th – back to where it all began twenty-odd years ago. I hope we won’t be too tearful to sing. The very last concert will be at the Wigmore on December 23rd. Not sure how they’ll be able to get through that one, but I’ll be there cheering them on.

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