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Upcoming concerts

 

This week I’m off to the Adelaide Festival where Gavin Bryars is composer in residence. I’ve been several times to the East and West coasts of Australia but this will be my first visit to the south. I’m hoping to see Gavin’s Marilyn Munroe opera soon after we arrive, then we have a GBE gig at which Peyee Chen and I will sing his (Blake) Morrison Songbook and a selection of Irish Madrigals and Laude. Then we have the wonderful Shakespeare sonnet cycle Nothing Like the Sun, with the magical spoken voice of Gavin Friday. It’ll be a pretty intense few days – super-charged essence of Bryars. And the sun should be shining…

3 Medieval Tenors

250px-Cathedral_of_St._Martin_in_Bratislava,_overview

Not long after arriving home I’ll be heading for Bratislava for a Three Medieval Tenors concert in the cathedral on March 16th. I love Bratislava – it’s not only very beautiful but it has a proper cultural community that’s up for anything – and the cathedral is a wonderful building (I’ve performed there with the Dowland Project); it’s the perfect acoustic for the Conductus programme.

The next Three Med Tens concert is on May 21st in Beverly Minster (seating is limited and tickets are selling fast, so don’t miss it if you’re in Yorkshire). Our next visit to the north is Durham on June 9 or 10, then we have the Med Ren conference in Brussels July 6th, Radovljica on August 13th, Nieder Olm the week of September 10-17, and Brighton on September 19th. All of these have AHRC workshops where you can sign up (for free) to learn about the history of Conductus and how to perform this extraordinary musical/poetic hybrid music. They’re open to all, and there will be something for everyone whatever their previous musical experience.

Amores Pasados

ECM have confirmed that the album will be released in May/June, and we’ll be having a Spanish launch at the Aranjuez Festival (near Madrid) on June 13th with further concerts in Spain, Germany and Ireland later in the year. The programme will include all the music from the album, plus more of each of the three genres represented (new songs by rock musicians, early 20th century English song transcriptions, and 17th century lutesongs).

 

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