Posts Tagged ‘Gavin Bryars’


CONCERTS OCTOBER-NOVEMBER

Tuesday, September 21st, 2010

This is my first autumn back in the real world…and November has an unprecedented 5 gigs in England, including new works by Gavin Bryars at King’s Place and the first London performance of Being Dufay…

October 3

Robert Kirby memorial event

Cecil Sharp House, London

October 15

Sound & Fury live broadcast from Mauerbach ORF 22.00

October 15- 19

Kloster pic
Sound & Fury recordings (Vienna)

Josquin Desprez: Missa Gaudeamus & Missa Sine Nomine

Marbrianus De Orto: Missa Mi mi & Missa L’homme armé

November 3

Dowland Project (Prague)

Strings of Autumn Festival

November 6

Gavin Bryars Ensemble

King’s Place (London)

to include new versions of Madrigals by Gavin Bryars to poems by

Blake Morrison

November 11

A Musicall Banquet (Birmingham) with Ariel Abramovich

Birmingham Early Music Festival

November 18

Being Dufay

The Albany, Lewisham

part of the Sampler Festival

November 24

Roger Marsh 60th birthday concert (York)

to include new works by Ed Jessen and Morag Galloway

November 25

Launch of UYMP Songbook (compiled by John Potter & David Blake)

Birmingham Conservatoire

Tenors, texts and TV…

Tuesday, May 25th, 2010

What makes a great tenor? Rolando Villazon does…

If you’re near a TV set on June 2nd at 9.00 in the evening you might catch me being interviewed by the amazing Rolando Villazon on BBC4. I had a wonderful time at the Royal Opera House; Villazon is a real powerhouse and has an incredibly quick brain. When I arrived he was sitting on the floor doing a piece to camera on Franco Corelli. At the end of the first take I couldn’t resist suggesting he mentioned Corelli’s legs, which were reckoned by some to be the best pair ever seen on a tenor. He began again: …and Franco Corelli, he had it all, including two of the best pairs of legs in the business…immediately realising what he’d said, he added…though he only used one pair at a time, of course. I don’t suppose that will find its way into the final cut.  It was all enormous fun, with Rolando fizzing away the whole time. So much energy! I’d taken the precaution of bringing along my copy of his Massenet & Gounod album – one of my favourites – which now has on the liner a Rolando cartoon of the two of us talking tenor stuff.

Tenor paperback

Tenor: History of a Voice is to be reprinted by Yale as a paperback in September. There won’t be any updated content, but I hope I have  corrected most of the misprints etc – so thank you to all those whose sharp eyes caused me all sorts of embarrassment. There may well be a substantially updated 2nd edition in a year or two, so I hope people will keep sending suggestions for updates.